Location: Carroll / Fletcher, 56-57 Eastcastle St, London W1W 8EQ , 23 March 2017

The Moving Museum Anthologies | Technostalgia Launch Event

The Moving Museum kicks off 2017 with the launch of a new platform of web-based anthologies. Technostalgia, the inaugural anthology edited by Coline Milliard, will go live on 22 March 2017 and explore the aesthetics of early technologies, their legacy and impact, as well as their fetishization and appropriation in a contemporary artistic context. Participating artists include Cory Arcangel, Constant Dullaart, Rafael Lozano-Hemmer, Peter Luining, Lorna Mills, Paper Rad, Mark Richards, Gustavo Romano, Evan Roth, Paul Slocum, Thomson & Craighead, and Ubermorgen. The Moving Museum Anthologies is a new online publishing platform that re-imagines how a contemporary art organization shares ideas online. TMM Anthologies gives cultural practitioners the opportunity to curate and share important ideas to an online audience using Internet native media. Curators, artists, writers and technologists will be invited to discuss urgent topics, contextualize artistic discourse, and share original concepts through any format imaginable on a platform made specifically for creative material beyond the written word. This unique resource will be accompanied by a series of talks, performances, and workshops held in major cities and streamed live online. The Moving Museum will be launching the platform as well as its first series of anthologies with catalytic support from the Arts Council England for the development and production of this program. To mark the opening of the programme and the Technostalgia Anthology launch, The Moving Museum will host apanel discussion at Carroll / Fletcher in London on 23 March 2017. Moderated by Coline Milliard, the panel will include artist Alison Craighead from British artist duo Thomson and Craighead, and Professor Beryl Graham, Professor of New Media Art at University of Sunderland, and co-founder and editor of CRUMB.

Schedule

  • Tue 25 October 2022

    Art Night / performance commission by Tai Shani at Fabric, London

    Art Night and the Museum of London are pleased to announce the presentation of a new performance commission by Tai Shani at Fabric, London this Autumn, at 8pm on 25th October. The performance will take the form of a chamber play and is Shani’s first major performance project since DC: Semiramis for which she was nominated and collectively won the Turner Prize in 2019. It will be one of her most ambitious works to date. The collaboration is a precursor to Art Night’s transition to a national, biennial contemporary art festival, with the first new model festival planned for 2023 and to be announced in the Autumn. This work by Tai Shani will be re-staged for the 2023 festival.

    The play will premiere at London’s iconic nightclub Fabric, adjacent to West Smithfield, the Museum of London’s soon-to-be new home. The special “one-night only” show will be broadcast live on digital channels to enable access for a global audience with the assistance of media partner This is Tomorrow. My bodily remains, your bodily remains, and all the bodily remains that ever were, and ever will be. (Down, skin, pelt, vellum, alert tangled roots, subcutaneous flesh, subterranean blind life) draws upon Smithfield’s history as one of London’s earliest execution sites and oscillates between somatic histories of political evil and love as an emancipatory power.

    The collaboration also celebrates the Museum of London’s impending relocation to West Smithfield and follows the launch of the Museum of London Docklands’ major exhibition Executions, which traces the history of public executions from the 12th to the 19th century.

    My bodily remains, your bodily remains, and all the bodily remains that ever were, and ever will be. (Down, skin, pelt, vellum, alert tangled roots, subcutaneous flesh, subterranean blind life) is inspired by various sources; classic works of literature including Destroy, She Said by Marguerite Duras, the writing of scholars including Jackie Wang and works by filmmakers such as Jacques Rivette. Shani’s commission is a poetic meditation on various historical resistance movements and groups, the spiritual dimensions of anti-supremacism, intersectional queer feminism, communism and revolutionary thinking to recognise the emancipatory power of love and pleasure as a catalyst for radical change.

    Typical of Shani’s practice, My bodily remains, your bodily remains, and all the bodily remains that ever were, and ever will be will deploy a skillful interplay of dialogue and narration. Shani will use recurring moods and motifs to explore eroticism, dark powers, mystical experiences, feminist theory and the theme of Revolution – embodied in this performance as a ghost.

    The play will feature an original live score composed by Shani’s long term collaborator Maxwell Sterling and Richard Fearless (Death in Vegas) alongside digital animations by Adam Sinclair also Shani’s long term collaborator. The play will also feature jewellery and set design by Shani.

    The commission is accompanied by a dedicated creative engagement programme developed in collaboration with All Change led by arts educator and creative producer Dhiyandra Natalegawa. The creative engagement programme will consist of a series of participant-led workshops and creative outcomes, shaped around the key themes and creative approaches in Shani’s work. The project is part of All Change’s B Creative programme: an arts activism programme for young women by young women, working with inspiring artists.