The artwork is the first commission on the Fourth Plinth to reflect specifically on the historical symbolism of Trafalgar Square, which commemorates the Battle of Trafalgar, and will link directly with Nelson’s column. It is also the first commission by a black British artist.
The ship’s 37 large sails are made of exuberant and richly patterned textiles commonly associated with African dress and symbolic of African identity and independence. The history of the fabric reveals that they were inspired by Indonesian batik design, mass produced by the Dutch and sold to the colonies in West Africa. Tying together historical and global threads and traversing Oceans and Continents, the work considers the complexity of British expansion in trade and Empire, made possible through the freedom of the seas that Nelson’s victory provided.
Yinka Shonibare says his piece will reflect the story of multiculturalism in London:
‘For me its a celebration of London’s immense ethnic wealth, giving expression to and honouring the many cultures and ethnicities that are still breathing precious wind into the sails of the United Kingdom. A ship in a bottle is an object of wonder. Adults and children are intrigued by its mystery. How can such towering masts and billowing sails fit inside such a commonplace object’ With Nelson’s Ship in a Bottle I want to take this childhood sense of wonder and amplify it to match the monumental scale of Trafalgar Square.’
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