LD50, 2-4 Tottenham Road, London N1 4BZ

  • Installation view
    Title : Installation view
  • Adriana Ramic, Thick lines denote paleo-coastlines, adult c. elegans, exzamocylebvsfkidarctgcbaqxqrxrltrxsokramjbhtauidcfygzehwesczuoanvgkytelyqduls 2015 Characters recognized based on an alphabet ofCC3 C. elegans wild isolate, inkjet on
    Title : Adriana Ramic, Thick lines denote paleo-coastlines, adult c. elegans, exzamocylebvsfkidarctgcbaqxqrxrltrxsokramjbhtauidcfygzehwesczuoanvgkytelyqduls 2015 Characters recognized based on an alphabet ofCC3 C. elegans wild isolate, inkjet on
  • Adriana Ramic, Thick lines denote paleo-coastlines, adult c. elegans, exzamocylebvsfkidarctgcbaqxqrxrltrxsokramjbhtauidcfygzehwesczuoanvgkytelyqduls 2015 Characters recognized based on an alphabet ofCC3 C. elegans wild isolate, inkjet on
    Title : Adriana Ramic, Thick lines denote paleo-coastlines, adult c. elegans, exzamocylebvsfkidarctgcbaqxqrxrltrxsokramjbhtauidcfygzehwesczuoanvgkytelyqduls 2015 Characters recognized based on an alphabet ofCC3 C. elegans wild isolate, inkjet on
  • Installation view
    Title : Installation view
  • Installation view
    Title : Installation view
  • Installation view
    Title : Installation view
  • Installation view
    Title : Installation view
  • Installation view
    Title : Installation view
  • Learning
    Title : Learning
  • Harm van den Dorpel, #B  2015 Touch-sensitive screen mounted on printed acrylic Raspberry Pi running interactive algorithmic software 38 x 48 cm
    Title : Harm van den Dorpel, #B 2015 Touch-sensitive screen mounted on printed acrylic Raspberry Pi running interactive algorithmic software 38 x 48 cm
  • Installation view
    Title : Installation view
  • Harm van den Dorpel, Untitled1, Untitled2 2015 Heat-reactive plastic film, bubble-wrap. 84 x 59.5 cm
    Title : Harm van den Dorpel, Untitled1, Untitled2 2015 Heat-reactive plastic film, bubble-wrap. 84 x 59.5 cm
  • Learning
    Title : Learning
  • Installation view
    Title : Installation view


About translation, or rather how from translation more information emerges.

In Adriana Ramić‘s work A Worm Computer Better at Recognizing Sketches than a Human into a Fossil, morphologies of the sole survivors of a space shuttle crash, genetics model organism C. Elegans, become the key for an optical character recognition program in a dispersed terrain.

Harm van den Dorpel work is presented in various mediums; 3 touch-sensitive screens mounted on printed acrylic (Raspberry pi running interactive learning software), collages and heat reactive film canvases.

Translation from A to B

generates C.

Is C a byproduct, noise, leftover or does it contain some essence of communication? Any change of structure and context transforms into new content (duh). It is a protestant assumption that form and content can be separated anyway.

Whatever makes sense has better chances of being true. Is everything that makes less sense then automatically more likely to be false? For sure (?) not. However, when an assumption is made lacking clear argumentation, the action is quickly dismissed as suspicious and random.

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