M100, Søndergade 26, Kld. 5000 Odense C. Denmark

  • Louise Sparre, view of the front room
    Title : Louise Sparre, view of the front room
    Website : http://m100.dk
    Credit : Photography by Kirstine Mengel
  • Louise Sparre, Fabric Object, 2019, satin
    Title : Louise Sparre, Fabric Object, 2019, satin
    Website : http://m100.dk
    Credit : Photography by Kirstine Mengel
  • Louise Sparre, Adaptation, 2019, leather and wood
    Title : Louise Sparre, Adaptation, 2019, leather and wood
    Website : http://m100.dk
    Credit : Photography by Kirstine Mengel
  • Louise Sparre, Circle of Control, 2019, iron and hair extensions
    Title : Louise Sparre, Circle of Control, 2019, iron and hair extensions
    Website : http://m100.dk
    Credit : Photography by Kirstine Mengel
  • Louise Sparre, Hair Object 2, 2019, lambskin and polystyrene
    Title : Louise Sparre, Hair Object 2, 2019, lambskin and polystyrene
    Website : http://m100.dk
    Credit : Photography by Kirstine Mengel
  • Louise Sparre, view of the back room
    Title : Louise Sparre, view of the back room
    Website : http://m100.dk
    Credit : Photography by Kirstine Mengel
  • Louise Sparre, Membran (silk and silicone), 2019, iron, silk, silicone and latex
    Title : Louise Sparre, Membran (silk and silicone), 2019, iron, silk, silicone and latex
    Website : http://m100.dk
    Credit : Photography by Kirstine Mengel


Louise Sparre: Vibrant

M100

8 February - 3 March 2019

Text by Mette Kjærgaard Præst

Louise Sparre’s solo exhibition ‘Vibrant’ is like a journey into the body. It begins with works that refer to the body’s surface, such as ‘Adaption’ and ’Fabric Object’, which respectively relate to the skin and the vagina as border areas between outer world and inner body. Alongside these we see ‘Circle of Control’ – an iron ring with long blonde hair extensions – its title referencing a self-help and coaching concept that encourages a person to focus on things that they apparently have control over (e.g. life choices and attitude) instead of things outside of their control (e.g. genome and place of birth). From here, Sparre dives deeper into the body, through the skin and all the way to the microscopic level, where she focuses on the smallest units of the body: the cells. In reference to the diversity of cells in the body, Sparre’s magnified ‘Cell Objects’ are produced from different natural and artificial materials such as concrete and silicone, and therefore take on different physicalities; soft, hard, smooth, rough.

The human body is made up of many trillion cells – some are human cells, while more than half is bacteria, thus other. Cells, bacteria, viruses, and fungi each play a relatively simple role in the complex system that is our organism, and, effectively, the sum of all these parts enables the human body to function and act. Furthermore, new research indicates that our bacterial content (specifically our gut flora or microbiota) besides facilitating our digestion, influences cognitive functions such as memory, learning, decision making processes, as well as our mood and state of mind, and therefore effects our personality, emotions, wellbeing and mental health.

As humans, therefore, we are not sublime autonomous organisms, separated from nature and with full control over our own emotions and actions. Instead we are an ordered jumble of other living organisms – a super-organism, an eco-system, or perhaps even a colony – consisting of trillions of others. For feminist scholar and activist Donna Haraway this poses an opportunity to re-consider our self-perception in relation to other species (animals, plants, bacteria). She proposes a necessary turn away from autopoietic thinking, which otherwise has influenced the western worldview; the idea that humans can exist, make and survive autonomously. Instead, Haraway suggests that we turn towards sympoietic thinking – tentacular thinking, acting and working together with each other and with other species. We must therefore understand ourselves as dynamic organisms, part of our surroundings, and in constant flux.

Sparre’s journey into the innermost part of the body is at the same time a journey towards a vibrant, changing worldview.

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