LIMBO, Substation Project Space, 2 Bilton Square, High Street, Margate, CT9 1EE

  • Black Tie Black Eye
    Title : Black Tie Black Eye
  • Eloise, Being Seeing, Squiggle3
    Title : Eloise, Being Seeing, Squiggle3
  • European
    Title : European
  • Heavy
    Title : Heavy
  • Installation View 1
    Title : Installation View 1
  • Installation View 2
    Title : Installation View 2
  • Installation View 3
    Title : Installation View 3
  • Installation View 4
    Title : Installation View 4
  • Installation View 5
    Title : Installation View 5
  • Mary
    Title : Mary
  • Owl
    Title : Owl
  • Roman Sun II
    Title : Roman Sun II
  • Squiggle
    Title : Squiggle
  • The Unnamable
    Title : The Unnamable

Kate Hawkins: Escape the Esplanade
LIMBO, Substation Project Space, 2 Bilton Sq, High St, Margate, CT9 1EE
27 July-18 August
From the Press Release

Escape the Esplanade addresses the dichotomy between the spectacle and the spectator, by positioning a set of works in a manner that alludes to the composition of the nearby High Street, forming a central ‘path’ through which the viewer must navigate, ‘overlooked’ or ‘by-standing’ paintings and structures.

Much of Kate Hawkins’ work draws from the discourse that surrounds performance and theatre. Her previous performance-based background notably informs her more recent work. For Escape The Esplanade Hawkins makes paintings as a means of de-activating the performer/viewer paradigm, thereby encouraging the spectator to adopt the role of performer. The viewer is persuaded to partake in active engagement with the work, and, in doing so, enact a parallel performance of sorts.

Escape the Esplanade is both an invitation for participation from the viewer and a response to the structure of the LIMBO project space. The length and shape of the space lends itself to a practical act of ‘walking through’, an act that is similarly directed by the structure of a street or pier. The paintings reference street-style blog images, but here the label ‘street style’ takes on dual meaning where both the spectator and artwork can be viewed as potential ‘performing’ subjects. This shift in viewing positions serves to highlight the act of looking which is further played out through the use of motifs such as lenses and lengthy eyelashes.

Situated behind Margate’s High Street, Limbo is comparatively ‘backstage’. In engineering this conflation of spectacle and spectator, Hawkins offers a reflection of the ‘front stage’ while remaining honest about backstage mechanics and processes of display.

About the artist:Kate Hawkins lives and works in London. She studied at Edinburgh University and the Slade and is currently completing a practice-based PhD at Winchester School of Art on whether painting can be performative without becoming theatrical and what this means for spectatorship. She is exhibiting later this year in Bloomberg New Contemporaries, having been selected by Chantal Joffe, Ryan Gander, and Nathaniel Mellors. Recent exhibitions have included the London Art Fair (for Gallery Vela) 2-person show, 2013; The King of Hearts Has No Moustache, a solo exhibition at Gallery Vela, London, 2012; and My Brother is a Hairy Man, with James Ferris, at George Polke, London, 2011.

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