MMK, Domstraße 10, 60311 Frankfurt am Maim, Germany

  • Rhii Installationsansicht1
    Title : Rhii Installationsansicht1
  • Rhii Installationsansicht2
    Title : Rhii Installationsansicht2
  • Rhii Moving Floor3
    Title : Rhii Moving Floor3
  • rhii cooling system
    Title : rhii cooling system
  • rhii cooling system2
    Title : rhii cooling system2
  • rhii fence
    Title : rhii fence
  • rhii moving floor
    Title : rhii moving floor
  • rhii moving floor2
    Title : rhii moving floor2
  • rhii two
    Title : rhii two
  • rhii typewriter
    Title : rhii typewriter

Jewyo Rhii: Walls to Talk to
MMK, Domstraße 10, 60311 Frankfurt am Maim, Germany
5 July-1 September
From the Press Release

The exhibition ‘Walls to Talk To’ is currently on display at the MMK Zollamt - a part of the MMK Museum für Moderne Kunst Frankfurt am Main. It unites works by the artist Jewyo Rhii (b. 1971) from the past fifteen years with new works, which have been executed during her recent stay in Frankfurt. A Korean native, since the beginning of her artistic career Rhii has repeatedly shifted her time between Asia, the U.S. and Europe. This constant relocation and the uncertainties that have accompanied it constitute a major factor, which underlies her work.

In the main gallery of the MMK Zollamt, works from Rhii’s project Night Studio (2009’11) form the core of the show. During a three-year residency on the bustling market street in the Itaewon district of Seoul, the artist opened her flat to the public and invited visitors to immerse themselves in her artistic as well as her personal world. With the opening of her private living space, she wanted to explore the various possibilities of an exhibition beyond the ordinary conventions of the exhibition space. For the MMK Zollamt, Jewyo Rhii has reconstructed parts of her apartment in Itaewon. Chandeliers, doors, pieces of linoleum, lattice fences and a large number of other elements in the installation are references to her former living space and, in keeping with the artist’s concept, are to be read as physical memories.

‘For Rhii, the body remembers places and things more strongly than the mind. In Night Studio, the boundaries between domestic objects, private space, artwork and exhibition are deliberately blurred. The juxtaposition of private and public space is an important aspect of the artist’s work’, explains exhibition curator Peter Gorschlüter. Among the many elements from Rhii’s apartment incorporated into the installation at the MMK Zollamt are a number of typewriters created by the artist herself, and used by her to print texts she had composed onto the walls by corporal means.

Wind blows through the exhibition room, generated by a large number of ventilators directed at blocks of ice, which gradually melt. The melted water drips into various types of receptacles, creating a kind of sound-scape with the various dripping sounds. Jewyo Rhii used the ventilators and ice blocks in her apartment in Seoul as a cooling system, a homemade air conditioner. She also created her own cinema, which is driven by a ventilator motor. The film drum of the makeshift cinema documents scenes from Rhii’s time in Itaewon.

In addition to Night Studio, the artist is also presenting two other long-term projects in the show: Jewyo Rhii’s need to translate spaces and emotions and experience them on the physical level comes to bear fruit in a special way in Moving Floor (2009’13). Occupying a large portion of the MMK Zollamt space, the work consists of a floor on wheels, which moves under the viewer’s feet. Rhii constructed it from her memory of the floor in her flat in Itaewon. For the exhibition at the MMK Zollamt, she supplemented it with found objects accumulated here in Frankfurt and materials from DIY markets.

The video installation Lie on the Han River (2005’13) tells the story of two lovers who meet regularly on the bank of the Han River in Seoul until winter comes and they go their separate ways. Lie on the Han River is a poetic visualisation of a love letter the woman writes to the man asking him to come back.

In the adjacent room, the series Two (1999’2002) is on display. The drawings show various physical exercises to be carried out by two persons for the mutual relief of pain and suffering. The artist herself says about these works: ‘In Two I developed a system by which bodies in pain can connect with one another to their mutual benefit.’ The drawings were originally not intended for exhibition but to be published in a book. Rhii has expanded the series with further drawings for the exhibition, and has chosen to present them in the form of an installation.

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