MOCAK, 4 Lipowa St, 30-702 Kraków, Poland

  • E Wurm, Palmers, 1997, c print, 94 x 74 cm
    Title : E Wurm, Palmers, 1997, c print, 94 x 74 cm
  • E Wurm, The Artist Who Swallowed the World, 2006, mixed media sculpture, 190 x 140 x 140 cm
    Title : E Wurm, The Artist Who Swallowed the World, 2006, mixed media sculpture, 190 x 140 x 140 cm
  • Ervin Wurm, Piep
    Title : Ervin Wurm, Piep
  • Erwin Wurm, 2011 fot2
    Title : Erwin Wurm, 2011 fot2
  • Erwin Wurm, 2011
    Title : Erwin Wurm, 2011
  • Erwin Wurm, Bez
    Title : Erwin Wurm, Bez
  • Erwin Wurm, Hipnoza II Hypnose II (Mantel), 2008
    Title : Erwin Wurm, Hipnoza II Hypnose II (Mantel), 2008
  • Erwin Wurm, Instalacja z ogorkami, 2008
    Title : Erwin Wurm, Instalacja z ogorkami, 2008
  • Erwin Wurm, Meble dla nr 3), 2010 fot
    Title : Erwin Wurm, Meble dla nr 3), 2010 fot
  • Erwin Wurm 2010
    Title : Erwin Wurm 2010
  • Guggenheim  melting, 2005, resin, 45 x 136 x 101 cm
    Title : Guggenheim melting, 2005, resin, 45 x 136 x 101 cm


Erwin Wurm: Good Boy
MOCAK, 4 Lipowa St, 30-702 Kraków, Poland
18 October 2013 - 26 January 2014
From the Press Release

MOCAK is exhibiting the first comprehensive Polish exhibition of the Austrian artist Erwin Wurm (b. 1954), which will include his most-acclaimed works such as One Minute Sculptures, as well as sculptures, photographs, objects and video. The Artist Who Swallowed The World is being shown side by side with large-scale works, such as the life-sized Truck, or cucumbers cast in bronze. Also showing is a selection of works from the series Instructions How to Be Politically Incorrect.

What interests the artist is the mundane, which he approaches in a contrary manner. Wurm’s trademark is the absurd, the surprising and the ephemeral. Using humour he attempts to divert the viewer’s thought processes off the beaten track.

Wurm describes all his works as sculpture, regardless of whether they are photographs, objects, drawings or videos. His works are often produced as variants achieved by altering the mass and volume. Some of his best-known works include One Minute Sculptures, Fat House and Fat Car. For the One Minute Sculptures, which the artist has been creating since the 1990s, viewers, the artist provides verbal and drawn instructions, so that, employing everyday objects provided by the artist viewers adopt unusual, absurd and amusing poses, thus making their own bodies into sculptures. Momentarily visitors become a work of art in the exhibition.

A characteristic of Wurm’s art is the ironic humour that the artist himself refers to as critical cynicism and relies on observing individuals in their multidimensional corporeity. Wurm’s works are frequently anthropomorphic; they are distorted, often overblown images taken from everyday life. Using simple devices, Wurm comments directly on our reality in images whose bluntness is related to the aesthetic of a comic strip.

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