NGV International, 180 St Kilda Road, Melbourne, Australia

  • An open space
    Artist : Emily Floyd
    Title : An open space
    Date(s) : 2011
    Material : Synthetic polymer paint, lacquer and epoxy paint on composition board, Wenge (Millettia laurentii), Hoop Pine (Araucaria cunninghamii), Sugar Pine (Pinus lambertiana), Huon Pine (Lagarostrobos franklinii), Ash (Fraxinus sp.) and Oak (Quercus sp.), si
    Website : http://www.ngv.vic.gov.au/
    Credit : Photo Mark Ashkanasy, courtesy the artist and Anna Schwartz Gallery
  • WORKSHOP
    Artist : Emily Floyd
    Title : WORKSHOP
    Date(s) : 2012
    Material : Enamel and epoxy paint on steel
    Website : http://www.ngv.vic.gov.au/
    Credit : Photo Mark Ashkanasy, courtesy the artist and Anna Schwartz Gallery
  • A little community
    Artist : Emily Floyd
    Title : A little community
    Date(s) : 2008
    Material : relief etching and lithograph printed in cream ink
    Website : http://www.ngv.vic.gov.au/
    Credit : Photo Mark Ashkanasy, courtesy the artist and Anna Schwartz Gallery
  • Its time (Again)
    Artist : Emily Floyd
    Title : Its time (Again)
    Date(s) : 2012
    Material : relief etching and lithograph printed in cream ink
    Website : http://www.ngv.vic.gov.au/
    Credit : Photo Mark Ashkanasy, courtesy the artist and Anna Schwartz Gallery
  • Temple of The Female Eunuch
    Artist : Emily Floyd
    Title : Temple of The Female Eunuch
    Date(s) : 2007-08
    Material : Pokerwork and polyurethane on wood, vinyl
    Website : http://www.ngv.vic.gov.au/
    Credit : Photo Mark Ashkanasy, courtesy the artist and Anna Schwartz Gallery
  • Structure and silence of the cognitariat
    Artist : Emily Floyd
    Title : Structure and silence of the cognitariat
    Date(s) : 2012
    Material : colour lithograph
    Website : http://www.ngv.vic.gov.au/
    Credit : Photo Mark Ashkanasy, courtesy the artist and Anna Schwartz Gallery
  • WORKSHOP
    Artist : Emily Floyd
    Title : WORKSHOP
    Date(s) : 2012
    Material : Enamel and epoxy paint on steel
    Website : http://www.ngv.vic.gov.au/
    Credit : Photo Mark Ashkanasy, courtesy the artist and Anna Schwartz Gallery
  • Steiner rainbow
    Artist : Emily Floyd
    Title : Steiner rainbow
    Date(s) : 2006
    Material : epoxy paint on composition board
    Website : http://www.ngv.vic.gov.au/
    Credit : Photo Mark Ashkanasy, courtesy the artist and Anna Schwartz Gallery
  • It's because I talk too much that I do nothing
    Artist : Emily Floyd
    Title : It's because I talk too much that I do nothing
    Date(s) : 2012
    Material : Powder-coated steel, stained wood
    Website : http://www.ngv.vic.gov.au/
    Credit : Photo Mark Ashkanasy, courtesy the artist and Anna Schwartz Gallery
  • An open space
    Artist : Emily Floyd
    Title : An open space
    Date(s) : 2011
    Material : Synthetic polymer paint, lacquer and epoxy paint on composition board, Wenge (Millettia laurentii), Hoop Pine (Araucaria cunninghamii), Sugar Pine (Pinus lambertiana), Huon Pine (Lagarostrobos franklinii), Ash (Fraxinus sp.) and Oak (Quercus sp.), si
    Website : http://www.ngv.vic.gov.au/
    Credit : Photo Mark Ashkanasy, courtesy the artist and Anna Schwartz Gallery


Emily Floyd: The Dawn

NGV International, Melbourne

‘From the press release’

‘Emily Floyd: The Dawn’ is a survey exhibition of the work of Melbourne based artist Emily Floyd. The exhibition features keynote works dating from 2001 to 2014 including major installations, lesser-known early works and two newly commissioned interactive spaces for children and families. Working in sculpture, installation, printmaking and public art, Floyd is renowned for her text-based sculptures and pedagogically-inspired works which combine formal concerns with an interest in the legacies of modernism. Her work engages a wide range of disciplines and endeavours including public art and social activism, design and typography, literature and cultural studies, community participation and public education, and various political ideologies. Drawing parallels between educational models and contemporary art, Floyd’s bold and seductive colourful works generate spaces for social engagement and interaction whilst provoking discussions about contemporary social, cultural and political ideas.

Emily Floyd graduated in sculpture at RMIT University in 1999 and has exhibited widely since then. Recent solo exhibitions include ‘Emily Floyd: Far Rainbow,’ Heide Museum of Modern Art, Melbourne 2014; ‘This Place Will Always Be Open,’ Monash University Museum of Art, Melbourne 2012; ‘Here Small Gestures Make Complex Structures,’ Museum of Contemporary Art, Sydney, 2012; and ‘New Graphic Sculpture,’ Anna Schwartz Gallery, Sydney, 2012. Group exhibitions include ‘There will be new rules next week,’ Dundee Contemporary Arts, Scotland, 2013; ‘Sleep on the Left Side,’ Seven Art Limited, New Delhi, 2012; ‘Ten Ways to Look at the Past,’ National Gallery of Victoria, 2011; ‘In the Balance: Art for a Changing World,’ Museum of Contemporary Art, Sydney, 2010; and ‘Optimism,’ Queensland Art Gallery, Brisbane, 2008. Floyd has completed several large scale public sculptures including ‘New Ways of Thinking’ at Melbourne’s Docklands and ‘Public Art Strategy’ for Eastlink Motorway. Most recently she was awarded a Scottish Print Network Commission, Dundee Print Studio, Dundee, Scotland and the inaugural Monash University Museum of Art Ian Potter Sculpture Commission. Floyd’s work is held in major collections including The National Gallery of Australia, Canberra, Gallery of Modern Art Queensland, Brisbane, Museum of Contemporary Art, Sydney, National Gallery of Victoria, Melbourne, Monash Museum of Art, Melbourne and The Victoria and Albert Museum, London.

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