Work Gallery, 10A Acton Street, London, WC1X 9NG

  • 004 Office of Experiments ORP
    Title : 004 Office of Experiments ORP
  • 007 Sophy Rickett Flaneuse Vauxhall Bridge
    Title : 007 Sophy Rickett Flaneuse Vauxhall Bridge
  • Cover Image
    Title : Cover Image
  • Critical Dictionary 008
    Title : Critical Dictionary 008
  • Critical Dictionary 011
    Title : Critical Dictionary 011
  • Critical Dictionary 013
    Title : Critical Dictionary 013
  • Critical Dictionary 015
    Title : Critical Dictionary 015
  • Critical Dictionary 023
    Title : Critical Dictionary 023

WORK and guest curator David Evans are pleased to present Critical Dictionary, a group show featuring work by David Bate, Rut Blees Luxemburg, Adam Broomberg and Oliver Chanarin, Simon Cunningham, Paola Di Bello, Tim Edgar, Christian Edwardes, Simon Faithfull, Dave Hazel, Justin Hibbs, Karen Knorr, Laibach, Ann Lee, Jo Longhurst, Tom Lovelace, Office of Experiments, Richard Paul, Poor Photographer, Chloé Regan, Sophy Rickett, Dominic Shepherd, Penelope Umbrico and Jake Walters.

Critical Dictionary declassifies selected terms and concepts in a playful manner to emphasise the open-ended, provisional and unfinished nature of language. Through this process of unravelling, the exhibition generates dialogues between an eclectic plethora of themes, including Flickr Sunset, Greenwich Meridian, Mycelium, Overt Research, Pencil Test and War Primer. Each of the contributing artists are somehow engaged in a visual game to awaken the gaps that exist between a text and its plurality of meanings, often taking an ‘original’ artwork or piece of writing as inspiration.

Critical Dictionary is inspired by Georges Bataille’s infamous anti-dictionary for the dissident Surrealist journal Documents, Paris, 1929’1930, as well as by Brecht’s interest in functional transformation and by Situationist enthusiasm for détournement. It explores and expands the previous incarnations of Evans’ Critical Dictionary project, which was first developed as the online art journal and later published as an anthology by the same name by Black Dog Publishing. By ‘translating’ the project into multiple forms, Evans addresses the affinities and divergences between the printed page, the computer screen and the gallery wall.

David Evans is a writer and picture editor who lectures at the Arts University College at Bournemouth. Recent publications include Appropriation, Whitechapel Gallery/MIT Press, 2009, Moholy-Nagy: 60 Fotos, Errata Editions, 2010, and Critical Dictionary, Black Dog Publishing, 2011. He is currently writing a book about walking art, to be published by Black Dog Publishing in 2012.

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