Birch Contemporary, 129 Tecumseth Street, Toronto, Canada
Soon Comes Night
Soon Comes Night explores images as an unfixed entity – between light and dark, abstract and representational, constructed and incidental.
Birch Contemporary, 129 Tecumseth Street, Toronto, Canada
Soon Comes Night explores images as an unfixed entity – between light and dark, abstract and representational, constructed and incidental.
Baltic Centre for Contemporary Art, Gateshead Quays, S Shore Rd, Gateshead NE8 3BA
Luke Naessens interviews Brian Griffiths about his exhibition 'BILL MURRAY: a story of distance, size, and sincerity' at BALTIC Centre for Contemporary Art.
Valentin, 9 rue Saint-Gilles, 75003, Paris
George Henry Longly’s new exhibition at Valentin, 'The Smile of a Snake', takes its name from a language tutorial emphasising the pronunciation of the letter “s”. A phonetic exercise forlearning English as a foreign language it also highlights problems with the physical materialisation of language.
MoMA, 11 W 53rd St, New York, NY 10019
Widely noted, the role of fiction in Walid Raad’s practice takes a lead throughout his mid-career retrospective at MoMA. Review by Gemma Sharpe
LADA
For this LADA Screens we are showing Proliferations I by filmmaker & performer Liz Rosenfeld.
Soy Capitán, Prinzessinnenstrasse 29, DE-10969 Berlin
Through the gesture of invitation and a particularly dialogical approach, Jesse Wine's latest exhibition investigates the role of the individual audience member.
Marian Goodman Gallery, 24 West 57th Street, New York, NY 10019
At a time when populations, cultures and the environment are fighting to resist conservative thinking and political assault, Sunset Décor puts into perspective the instrumentalization, now as then, of nature, the individual and the land for the production of a symbolic order in the name of freedom, civilization and democracy.
Lodos gallery, García Icazbalceta #30, Colonia San Rafael Mexico City, Mx. 06470
Lodos presents Korakrit Arunanondchai's first exhibition in Mexico and Latin America. The show features a single piece installation which houses his recent video 'Painting with History in a Room Filled With People With Funny Names 3.'
Vito Schnabel Gallery, Via Maistra 37, 7500 St. Moritz, Switzerland
"Robinson’s exploitations of pop imagery succeed by failing the Pictures Generation shibboleth of ironic detachment. In his paintings, the louche sexual glamour of penny dreadfuls and the temptations of booze and junk food are palpable—only the more so, nostalgically, now that the artist is abstemious. Robinson is a Manet of hot babes and a Morandi of McDonald’s French fries and Budweiser beer cans, magnetized by his subjects as he devotes his brush to generic painterly description." – Peter Schjeldahl, "A Man-About-Downtown Gets His Due," The New Yorker, September 26, 2016
Carlos/Ishikawa, Unit 4, 88 Mile End Road, London, E1 4UN
The lighting, music and layout are such key parts of Richard Sides' work that 'Invisible World' is an exhibition to experience rather than see. João Abbott-Gribben reviews Sides' solo show at Carlos/Ishikawa gallery in London.
South London Gallery, 65-67 Peckham Rd, London SE5 8UH
Whether affixed to other structures or lolling on the floor, Dean's oversized, weighty and flaccid things convey the muscular effort of communication, pushing forward an idea of language as material process and bodily struggle. They return, heaped on the floor, in ‘Sic Glyphs’, an exhibition of new work by Dean currently on display in the South London Gallery, an exhibition for which the artist has been nominated for the Turner Prize. Luke Naessens reviews
Museum of Contemporary Art San Diego (MCASD), 700 Prospect St, La Jolla, CA 92037, United States
The Museum of Contemporary Art San Diego (MCASD) fills its Downtown location with works by artist Do Ho Suh, featuring large-scale architectural installations, sculptures, works on paper and video. Operating within a distinctly twenty-first century global mode, Suh crafts evocative works that reflect ideas of home, identity, and personal space.
Lisson Gallery, 27 Bell Street, London NW1 5BU
Clickbait and regurgitated imagery, freely ripped, hacked and manipulated by Cory Arcangel, uniformly fill Lisson Gallery in his latest solo exhibition ‘currentmood’. William Davie reviews
CHEWDAY’S Ltd, 139 Lambeth Walk, London, SE11 6EE
Less interested in a prescriptive rhetoric on consumer culture than exploring how the poetic and the personal can be addressed under contemporary conditions, Beveridge sits on the line between ambivalence and celebration – investigating a fascination between the lure of consumer images and objects and the values that they preserve and perpetuate.