New Museum, 235 Bowery, New York, NY, 10002 USA

Ellen Gallagher: Don’t Axe Me

NM Ellen Gallagher Benoit Pailley 2013 4574

The exhibition traces the transformations, excavations, and accumulations of Gallagher's practice through a number of her iconic paintings, drawings, prints, and film installations.

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Nottingham Contemporary, Weekday Cross, Nottingham, NG1 2GB

Aquatopia

AB Orange Shark

Alex Farquharson is director of Nottingham Contemporary and curator of their current exhibition 'Aquatopia'. On 22 August, 2013, Alex and Laura-Jade Klée discussed 'Aquatopia' and how the ocean is represented within the exhibition.

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Scottish National Gallery, The Mound, Edinburgh EH2 2EL

Peter Doig: No Foreign Lands

Black Curtain (Towards Monkey Island), 2004

'His art is figurative and often based on photographic images, but the end effect is to take us into a completely different world of often hallucinatory power.' - Simon Groom.

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G39, Oxford Street, Cardiff, CF24 3DT

John Gingell Award

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The John Gingell award was established in honour of an artist who impacted the Cardiff art scene for over four decades both as a pioneering artist and passionate educator. The award honours his legacy by supporting the career development of two selected a

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Glasgow Sculpture Studios, The Whisky Bond, 2 Dawson Road, Glasgow, G4 9SS

Nina Beier: Liquid Assets

GSSNB 0713 0087

Showing for the first time in Scotland, is an exhibition of the Danish artist Nina Beier, which brings together new commissions with pre-existing works. Using Glasgow Sculpture Studios' unique production facilities Beier will create two new series for the

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Paul Carr: The Oral Tradition: The Tribute. Live from Camden Arts Centre Sunday 25 August, 3.00 - 4.00pm BST For his contribution to The Oral Tradition, Paul Carr will bring together and perform scripted dialogue, music and text for THE TRIBUTE, the latest episode in THE FIFTH RUNWAY RADIO TOUR series. For the past two years, Carr has built the fictional South East London district of Endwell through the sporadic broadcasts of his fictional self, a local radio DJ, observing the daily goings on of a district populated entirely of misfits, disgruntled workers, pubs, and the Green Bay Tourist Information Centre, where you can pick up items such as the Green Bay souvenir horse. Co-produced with Jenna Collins. The Oral Tradition is a series of short projects focusing on performed narrative. The spoken word, from mythic folklore to the call centre script, is a strong influence in the work of both Jockum Nordström and Emma Hart and this programme has been developed in response to these evolving traditions. The performances take place over four weeks, drawing on diverse source material including epic poetry, digital history and contemporary social protest.

ROWING, Unit F, 449 Holloway Road, London N7 6LJ

Review higlights 2012-2013: Francesco Pedraglio: Frank!

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First published 18 December 2012. Frank! is an exhibition of newly produced works by Francesco Pedraglio and in the second part of the show beginning Friday 11 January, a collaboration with eight other artists (Nina Beier, Paul Becker, Alex Cecchetti, Dav

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Serpentine Gallery, Kensington Gardens, London W2 3XA

Review Highlights 2012-2013: Memory Marathon

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First published 28 October 2012. As Frieze week drew to a close, Serpentine Gallery presented a programme of talks, interviews, screenings, lectures, poetry readings and live performances which responded to the topic of memory. Review by Louisa Elderton.

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Carroll / Fletcher, 56 - 57 Eastcastle Street, London W1W 8EQ

Review Highlights 2012-2013: Manfred Mohr: one and zero

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First published 11 December 2012. one and zero, Manfred Mohr's first solo exhibition in London, presents a concise survey of his fifty-year practice. Harnessing the automatic processes of the computer, Mohr's work brings together his deep interest in musi

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Pace London, 6 Burlington Gardens London W1S 3ET

Review Highlights 2012-2013: Rothko/Sugimoto

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First published 6 November 2012. The inaugural exhibition at Pace London's flagship gallery juxtaposes Mark Rothko's late black and grey paintings with Hiroshi Sugimoto's photographs of bodies of water, exploring the visual and conceptual affinities betwe

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