North East Contemporary Visual Arts Network (CVAN)

The work of Faye Green

Commissioned by the North East Contemporary Visual Arts Network (CVAN), this is one of eight films that will be exclusively launched on the site over the next eight weeks.

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Louisiana Museum of Modern Art, Gl Strandvej, 13 3050 Humlebæk, Denmark

Olafur Eliasson: Riverbed

Installation view of Riverbed at Louisiana Museum of Modern Art

Since the beginning of the collaboration it has been clear that a solo exhibition of Eliasson’s work at Louisiana would inevitably be a radical, site-specific exhibition dealing with the reality of the museum as an institution and physical locality, and at the same time would focus on local sensory experience in a global perspective. The transitions between inside and outside, culture and staged nature will become fluid and transitory – and the progress of the visitor through the museum will take centre stage.

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apexart, 291 Church Street, New York, NY 10013, USA

Bianculli’s Personal Theory of TV Evolution

Installation view

Among the treasures on view in Bianculli’s Personal Theory of TV Evolution, organised by David Bianculli, are the story board from Breaking Bad's final episode, Mr. Rogers' iconic sweater and sneakers, Rod Serling's typewriter, and surrealist puppets from the soon-to-be-retired Late Late Show.

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Cooper Gallery, Duncan of Jordanstone College of Art & Design, 13 Perth Road, Dundee DD1 4HT

Anna Oppermann: Cotoneaster horizontalis

Installation view of Cotoneaster horizontalis (Anticommunication Design) 1982 - 1984, Anna Oppermann, Cooper Gallery, DJCAD, (2014)

Higher education and the outmoded relationship between art and design provide rich subject matter for Anna Oppermann who seeks to unpack the very process of thinking, making and perceiving. Review by Laura Campbell

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North East Contemporary Visual Arts Network (CVAN)

The work of Nick Kennedy

Nick Kennedy discusses how adopting methods of chance and randomness impacts on his work, and how time can be measured within a drawing process.

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Fruitmarket Gallery, 45 Market St, Edinburgh EH1 1DF

Stan Douglas

Installation view: Malabar People  and Midcentury Studio, Fruitmarket Gallery (2014)

The Fruitmarket Gallery presents Canadian artist Stan Douglas’ film, video and photographs examined through an episodic sequence of selected works. Review by Alex Hetherington

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The Modern Institute, 3 Aird’s Lane Glasgow G1 5HU

Victoria Morton

Installation view, The Modern Institute, Glasgow, 2014

Morton’s exhibition at Aird's Lane focuses entirely on painting. Presenting a cycle of five large-scale oil paintings which specifically respond to the space in terms of their size and installation, offering a site for reflection.

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Modern Art Oxford

Modern Art Oxford presents: KALEIDOSCOPE Live, celebrating 50 years

Kaleidoscope

In 2016, Modern Art Oxford celebrates 50 years as an internationally acclaimed powerhouse of contemporary visual culture. KALEIDOSCOPE is a year long series of interlinking exhibitions, performances and events, presenting an unmissable opportunity to reflect on some of the great moments in Modern Art Oxford’s history, and this is tomorrow will be there too, live broadcasting many fantastic talks, performances and symposia.

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Heinrich Ehrhardt Gallery, San Lorenzo 11, Madrid 28004, Spain

Emanuel Seitz

Installation view

Seitz's paintings appeare to emerge from the background of the canvasses, gradually depositing ornamental elements, shadows, sparks, symmetries and duplications in the form of brilliant pigments.

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CCA Wattis Institute, Kent and Vicki Logan Galleries, 360 Kansas Street (between 16th & 17th Streets), San Francisco, CA 94103, USA

Markus Schinwald

Markus Schinwald, installation view. CCA Wattis Institute for Contemporary Arts

“I’m not trying to rob people of their personalities, but to give objects personalities, too." Markus Schinwald reimagines the body at CCA Wattis.

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MoMA PS1, 22-25 Jackson Avenue, Long Island City, NY

Xavier Le Roy: Retrospective

Retrospective by Xavier Le Roy

Le Roy’s choreography can seem at once elegant and weighted, elevated and foolish, and in this context they enclose their spectators within an active and dynamic aura. Review by Gemma Sharpe

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