North East Contemporary Visual Arts Network (CVAN)
The work of Faye Green
Commissioned by the North East Contemporary Visual Arts Network (CVAN), this is one of eight films that will be exclusively launched on the site over the next eight weeks.
North East Contemporary Visual Arts Network (CVAN)
Commissioned by the North East Contemporary Visual Arts Network (CVAN), this is one of eight films that will be exclusively launched on the site over the next eight weeks.
SWG3 Gallery, 100 Eastvale Place, Glasgow G3 8QG
At SWG3 Dominic Samsworth presents a suite of works that addresses the inherent deception at play in the art making process.
Louisiana Museum of Modern Art, Gl Strandvej, 13 3050 Humlebæk, Denmark
Since the beginning of the collaboration it has been clear that a solo exhibition of Eliasson’s work at Louisiana would inevitably be a radical, site-specific exhibition dealing with the reality of the museum as an institution and physical locality, and at the same time would focus on local sensory experience in a global perspective. The transitions between inside and outside, culture and staged nature will become fluid and transitory – and the progress of the visitor through the museum will take centre stage.
Goodman Gallery, 163 Jan Smuts Ave, Johannesburg, 2193, South Africa
William Kentridge's new drawings continue his investigations into the politics of South Africa. These works are made on the pages of a cash book from East Rand Proprietary Mines from 1906.
apexart, 291 Church Street, New York, NY 10013, USA
Among the treasures on view in Bianculli’s Personal Theory of TV Evolution, organised by David Bianculli, are the story board from Breaking Bad's final episode, Mr. Rogers' iconic sweater and sneakers, Rod Serling's typewriter, and surrealist puppets from the soon-to-be-retired Late Late Show.
c-o-m-p-o-s-i-t-e, Varkensmarkt 10 Rue du Marché aux Porcs, BE-1000 Brussels
French artist Emmanuelle Lainé has a lot on her mind… and her floor, walls, bookshelves, tables and windowsills. Review by Nathalie Levi
Cooper Gallery, Duncan of Jordanstone College of Art & Design, 13 Perth Road, Dundee DD1 4HT
Higher education and the outmoded relationship between art and design provide rich subject matter for Anna Oppermann who seeks to unpack the very process of thinking, making and perceiving. Review by Laura Campbell
North East Contemporary Visual Arts Network (CVAN)
Nick Kennedy discusses how adopting methods of chance and randomness impacts on his work, and how time can be measured within a drawing process.
Fruitmarket Gallery, 45 Market St, Edinburgh EH1 1DF
The Fruitmarket Gallery presents Canadian artist Stan Douglas’ film, video and photographs examined through an episodic sequence of selected works. Review by Alex Hetherington
The Modern Institute, 3 Aird’s Lane Glasgow G1 5HU
Morton’s exhibition at Aird's Lane focuses entirely on painting. Presenting a cycle of five large-scale oil paintings which specifically respond to the space in terms of their size and installation, offering a site for reflection.
Modern Art Oxford
In 2016, Modern Art Oxford celebrates 50 years as an internationally acclaimed powerhouse of contemporary visual culture. KALEIDOSCOPE is a year long series of interlinking exhibitions, performances and events, presenting an unmissable opportunity to reflect on some of the great moments in Modern Art Oxford’s history, and this is tomorrow will be there too, live broadcasting many fantastic talks, performances and symposia.
Heinrich Ehrhardt Gallery, San Lorenzo 11, Madrid 28004, Spain
Seitz's paintings appeare to emerge from the background of the canvasses, gradually depositing ornamental elements, shadows, sparks, symmetries and duplications in the form of brilliant pigments.
CCA Wattis Institute, Kent and Vicki Logan Galleries, 360 Kansas Street (between 16th & 17th Streets), San Francisco, CA 94103, USA
“I’m not trying to rob people of their personalities, but to give objects personalities, too." Markus Schinwald reimagines the body at CCA Wattis.
MoMA PS1, 22-25 Jackson Avenue, Long Island City, NY
Le Roy’s choreography can seem at once elegant and weighted, elevated and foolish, and in this context they enclose their spectators within an active and dynamic aura. Review by Gemma Sharpe