Collective Gallery, City Observatory & City Dome 38, Calton Hill, Edinburgh EH7 5AA
Katie Schwab’s exhibition ‘Together in a Room’, currently showing at Collective Gallery in Edinburgh, brings together voices and histories spanning over a century through an installation of textiles, video and furniture. Review by Joy Harris
White Cube Bermondsey, 144 – 152 Bermondsey Street, London SE1 3TQ
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Bobby Jewell reviews an exhibition of new paintings by Sergej Jensen that use sewn-together money bags as their canvas surface.
Assembly Point, 49 Staffordshire Street, London SE15 5TJ
Paul Black reviews this group show exploring assemblage and the body in relation to a wealth of art historical and filmic references.
North East Contemporary Visual Arts Network (CVAN)
Recorded at The Northern Charter, Newcastle, Susie Green presents her work alongside an interview with curator George Vasey. The artist candidly reveals her influences, creative process and her approach to working with objects and materials.
Limoncello, 340-344 Kingsland Road, London E8 4DA
Thomas Ellmer reviews new works by Lucy Clout that record the mundane movement and activity of water through her home and the damage it causes.
Tel Aviv Museum of Art, 27 Shaul Hamelech Blvd, POB 33288, The Golda Meir Cultural and Art Center, 61332012 Tel Aviv, Israel
Elmgreen & Dragset's first exhibition in Israel, 'Powerless Structures', features eight works positioned throughout Tel Aviv Museum of Art's various galleries and sculpture garden. The artists subvert the power of various structures, disrupting our original associations and expectations, and creating a resounding sense of unease, with space for reflection and hope.
Fait Gallery, Ve Vaňkovce 2, Brno, Czech Republic
'Exercises of listening' is the first solo show of collaborative artists Ewa and Jacek Doroszenko in Brno, and is a continuation of an ongoing project, in which the artists juxtapose audible and visual disciplines.
Mission Gallery, Gloucester Place, Maritime Quarter, Swansea SA1 1TY
An exhibition generally only presents the finalised version of a complex process of research, conversations and collaboration, a construction of events that build into the publicly viewed show. This exhibition, featuring works by Catherine Biocca, Cornelia Baltes and Rosalie Schweiker, presents production in practice, revealing the processes that precede the installation of works. Review by Rory Duckhouse
Cooper Gallery, DJCAD, 13 Perth Road, Dundee DD1 4HT
‘NEW Wheat, NEW Mud, NEW Machine’ is a major exhibition of works by Glasgow-based artist collective Poster Club, emerging from their participation and presentation in Cooper Gallery’s initiative 'CURRENT', an ongoing two-year international project with Shanghai Himalayas Art Museum in China. Review by Alexander Hetherington
The Third Policeman, The Third Policeman, 1535 Decatur Street, New York NY 11385
The Third Policeman presents its inaugural exhibition: 'The Place Where He Is Meant To Be Lost'. The show takes its title from a quote from 'Town Of Cats', a short story by Japanese novelist Haruki Murakami, using his ideas as a springboard to open up a space for artworks that inhabit a solidly contemporary, Murakami-esque zone between the real and the magical, the prosaic and the dreamlike, the deeply personal and the political.
Project/Number, 10 Cazenove Road, London N16 6BD
Cassie Davies reviews a new collaborative work by Benedict Drew and Nicholas Brooks that takes its title from the industrial swamps where undesirable waste liquids are dumped.
Marian Goodman Gallery, 5-8 Lower John Street, London W1F 9DY
Coleman's works are monumental in scale and microscopic in their attention to detail, exploring his source material to expose its limits and possibilities. Review by Theo Turpin
Austrian Cultural Forum London, 28 Rutland Gate, London SW7 1PQ
The artists command the space within the galleries. Each piece leans into us, lays in front of us, or draws the room’s period features into the bodies of the works themselves. Review by Betsy Porritt
