Hauser & Wirth Somerset, Durslade Farm, Dropping Lane, Bruton, Somerset BA10 0NL

Martin Creed: What You Find

As he speaks on the exhibition, Creed gives a clear impression that the works created for ‘What You Find’ diversely attempt an artistic investigation into the collision of art and life. Review by Emma Rae Warburton

Further reading +

Foundling Museum, 40 Brunswick Square, London WC1N 1AZ

FOUND

Emma Rae Warburton reviews 'FOUND', an exhibition curated by Cornelia Parker featuring contributions from almost sixty artists alongside items from the Foundling Museum's collection.

Further reading +

Fundació Gaspar, Carrer de Montcada, 25, 08003 Barcelona, Spain

Anthony McCall: Solid Light, Performance and Public Works

The show creates a dialogue between McCall’s later and earlier works, from 1972 onward, presenting the artist’s film and installation pieces alongside his works on paper, drawings, schematic diagrams, photographs and projects for open-air spaces. Review by Cassie Davies

Further reading +

Kunsthalle Wien, Museumsquartier, Museumsplatz 1, 1070 Vienna, Austria

Andrea Büttner: Beggars and iPhones

Andrea Büttner’s spatial assemblages, which at first sight seem quite unremarkable, challenge a plethora of certainties and give rise to just as many questions. The position the artwork occupies between the intimate practice of its production and the public practice of its presentation is only one of them.

Further reading +

Rod Barton, Rue de la Régence, 67 1000 Brussels

Erin Lawlor

Erin Lawlor's recent paintings cite visual memories from childhood, the line and form reminiscent of the undefined biomorphic universes of Sendak or dr. Seuss, with a heightened chromatic range that at times seems to verge on the cartoonish or technicolour.

Further reading +

Various venues, Whitstable, Kent

Whitstable Biennale 2016

Part of the 2016 Whitstable Biennale’s success is the totally anachronistic nature of some of its headlining works, showcasing the ability of the festival to be both site-specific and completely unplaced. Review by Betsy Porritt

Further reading +

Gavin Brown's enterprise, 439 W. 127th Street, New York

Ed Atkins

Atkins has forged an extremely successful career by inserting various, slippery versions of his CGI ‘self’ bang at the centre of his operatically layered video works. It’s a trademark that’s as awkwardly, brain-crushingly present as ever in his current show at Gavin Brown’s new space in a former distillery in Harlem. Review by Helena Haimes

Further reading +

Various locations, London

Block Universe

Bryony White selects her highlights from Block Universe and interviews Louise O'Kelly about the challenges and opportunities in curating the festival.

Further reading +

Tate Britain, Millbank, London SW1P 4RG

Conceptual Art in Britain 1964–1979

Edward Ball reviews this major survey of British conceptual art practice currently showing at Tate Britain.

Further reading +

Basement Roma, Via Ricciotti 4, 00195 Rome, Italy

Mundus Muliebris

Performing what Wittgenstein would call a family resemblance, artists Than Hussein Clark, Patrizia Fabri and George Henry Longly collaborate under the brand MM, producing a body of work which sits at the intersection between art and fashion.

Further reading +

Northern Gallery for Contemporary Art, City Library & Arts Centre, 28-30 Fawcett St, Sunderland SR1 1RE

Baldock Pope Zahle

'Baldock Pope Zahle' presents a new sculptural installation by Jonathan Baldock, and newly commissioned work by Nicholas Pope and Maria Zahle in Northern Gallery for Contemporary Art's spacious and newly opened up main gallery.

Further reading +

LADA

LADA Screens: Audition Project (World Premiere)

‘Audition Project’ brings together 75 UK-based artists for a re-creation of the opening audition scene from the 1985 film 'A Chorus Line'.

Further reading +

Ikon, 1 Oozells St, Birmingham B1 2HS

Dan Flavin: It is what it is and it ain’t nothing else

The Ikon building lends a somewhat cosy and domestic vibe to Flavin’s work, which I enjoy far more than some of the often starker forms of presentation in larger institutions. Indeed pairing, or starting a conversation, between Flavin’s work and Ikon’s former school house architecture is central to the exhibition’s design. Review by Sacha Waldron

Further reading +

Middlesbrough Institute of Modern Art, Centre Square, Middlesbrough TS1 2AZ

Artist Interview: Aikaterini Gegisian

Dr Kostas Prapoglou speaks with Aikaterini Gegisian about her recent survey exhibition ‘Shifting Geographies’ at mima, Middlesbrough, and the influences and inspiration behind her wider practice.

Further reading +