Doig's solitary figures and filmic landscapes, bedecked with polychromatic painterly jewels, sparks and washes, and often nodding to painters past, ring out joyfully. Review by Lizzie Lloyd
Since the beginning of the collaboration it has been clear that a solo exhibition of Eliasson’s work at Louisiana would inevitably be a radical, site-specific exhibition dealing with the reality of the museum as an institution and physical locality, and at the same time would focus on local sensory experience in a global perspective. The transitions between inside and outside, culture and staged nature will become fluid and transitory – and the progress of the visitor through the museum will take centre stage.