Viewing articles from 2019/11

mother's tankstation London, 58 - 64 Three Colts Ln, Bethnal Green, London E2 6GP

Yuri Pattison: to-do, doing, d̶o̶n̶e̶

Yuri Pattison, installation view, to do, doing, d̶o̶n̶e̶, mother’s tankstation London, Chip Scale Atomic Clock promotional video (Super SloMo waifu2x rework), padlock nightlights

Layers of time, economic systems and environments tightly interconnect in Yuri Pattison’s new exhibition. ‘to-do, doing, d̶o̶n̶e̶’ explores the narratives embedded in time-based technologies and the very fabric of reality. A combination of existing and newly-made works shows the connection between seemingly unrelated worlds, by turning to the ineffable world of toxins, waves and frequencies. Review by Giulia Civardi

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Tate Modern, Bankside, London SE1 9TG

Nam June Paik

TV Garden. 1974-1977 (2002) Single-channel video installation with live plants and colour television monitors

Early photographs of Paik at his studio in New York City show him smiling, like a kid in a sweet shop, in a room filled with clutter. The antique technology that blankets the floor arguably appears as rubbish to most. However, to Paik, broken-down technological devices were inspiration. Review by Sheena Carrington

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Spike Island, 133 Cumberland Road Bristol BS1 6UX

Imran Perretta: the destructors

the destructors, production still

In his new film ‘the destructors’, Imran Perretta uses narrative and visual storytelling to articulate his personal experiences with physical and structural violence. The result is a sensitive and poignant indictment of the British governmental policies, Austerity and the War on Terror, which have served to exacerbate the marginalisation and oppression of Muslim communities living in the UK. Review by Julia Schouten

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The Hepworth Wakefield, Gallery Walk, Wakefield WF1 5AW

Christina Quarles: In Likeness

 Christina Quarles install shots, copyright Nick Singleton

Entering Christina Quarles’ first European exhibition at The Hepworth Wakefield, the viewer is greeted with a number of large-scale paintings and an architectural intervention, which includes a window revealing further works. Quarles’ arresting paintings depict female bodies that stretch, contort and intertwine. They are ambiguous and only barely legible as bodies, found somewhere in the liminal space between depiction and abstraction. Review by Joshua Lockwood-Moran

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Lane Meyer Projects, 2528 Walnut Street, Denver, CO 80205, USA

Green Gra$$

Dionne Lee, Breaking the Fall, 2016, (Diptych), archival inkjet print

The exhibition title alludes to the ways in which capitalism has become intertwined with a looming sense of environmental disaster in the age of the Anthropocene. Through collage, installation and sculpture, ‘Green Gra$$’ examines our cultural longing for a future that is already lost. Review by Rosanna van Mierlo

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Central Pavilion, Arsenale, Venice, Italy

Venice Biennale 2019: Jon Rafman: Dream Journal

Dream Journal 2016-2019, 58. Esposizione Internazionale d'Arte - La Biennale di Venezia, May You Live In Interesting Times

The feature film ‘Dream Journal’ presented at the Venice Biennale is the result of three years of exploration into 3D simulated environments (2016-2019). Throughout an extremely dense 94 minutes, Rafman radically experiments with imaginary worlds populated by a plethora of obscene biotech mutants. CGI reveals the dark vitality of techno-materialism that melds post-human forms with chimerical beasts, monstrous insects and Japanese sexual perversions. Review by Piotr Bockowski

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