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Serge Attukwei Clottey: Current Affairs
On one of the hundreds of yellow plastic segments cut and woven together to form Serge Attukwei Clottey’s monumental tapestry work, someone has written in black marker, so small you might miss it amongst the waves of bright colour, “Exodus 17”. It’s unclear if the scribbled allusion has been added by the artist or whether it remains from the material’s previous life as a jerry can, used to carry cooking oil and then water in drought-hit areas of Ghana. Review by Adam Heardman