Viewing articles from 2018/12

White Cube Bermondsey, 144 – 152 Bermondsey Street, London SE1 3TQ

Christine Ay Tjoe: Black, kcalB, Black, kcalB

Christine Ay Tjoe, Black, kcalB, Black, kcalB, White Cube Bermondsey, 28 November 2018 - 20 January 2019

Christine Ay Tyoe’s second exhibition at White Cube presents the artist in a darker, pensive, more Gothic mood than her more colourful debut here in 2016. Half the works shown are a series of aluminium etching plates on which the artist has drawn in black ink a bestiary of her familiar grotesques. Review by Piers Masterson

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Lily Brooke, 3 Ada Road, London SE5 7RW

Evy Jokhova: Weighed down by stones

Totem XII, 2018, MDF, paint, castor wheels, Perspex, acoustic felt, stone collection, motion sensors, computer, headphones, 60 x 60 x 152 cm (detail)

At Lily Brooke, Evy Jokhova’s latest installation ‘Weighed down by stones’ is archaeological, concerning the weight of the past upon the present and the possibility of returning to it. Review by Jacob Charles Wilson

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ICA,The Mall, St. James's, London SW1Y 5AH

Metahaven: VERSION HISTORY

Metahaven, Eurasia (Questions on Happiness) 2018. Installation view of Metahaven: VERSION HISTORY at Institute of Contemporary Arts, London, 3 October - 13 January 2019

For ‘Version History’, their current exhibition at the ICA in London, the collective have brought together three recent films and a digital essay to reflect on the loss of truth that arises from our collective immersion in digital technologies. Review by Bernard Hay

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Victoria Miro, 14 St George St, Mayfair, London W1S 1FH

Ilse D’Hollander

Untitled

In much the same way as Francesca Woodman though, whose early death at the age of just 22 has made her into something of a cult figure, D’Hollander’s paintings are cast in the shadow of her personal history. Review by Claire Phillips

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Rennes

Rennes Biennale 2018: Cries and Echoes

Pauline Boudry & Renate Lorenz, 40m Cube, Les Ateliers de Rennes

Siham and Hafida are two singers of the Aita, a musical genre of the Chikha. Their intergenerational conversations throughout the film give insight to how lived experience is transmitted and challenged by the fact that the younger generations learn the treats of the Aita through clips on youtube. Review by Helena Julian

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Collective, City Observatory, 38 Calton Hill, Edinburgh EH7 5AA

Affinity and Allusion

Dineo Seshee Bopape, [when spirituality was a baby], 2018, Collective City Dome

‘Affinity and Allusion’, the opening project at the new expanded Collective on Edinburgh’s Calton Hill, does not refer to a group show as such, as one might expect for the relaunch, or remaking and reimagining of an institution like this, but is rather a title of intention, focus and scope around the nature of exhibitions and displays, given to a cluster, or constellation (the theme of astronomy is in abundance here, given that the site is a former observatory), of complex activities. Review by Alex Hetherington

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Goldsmiths Centre for Contemporary Art, St James's, London SE14 6AD

Kris Lemsalu: 4Life

Kris Lemsalu, Holy Hell O (2018).

For her first solo exhibition in London, ‘4LIFE’, multidisciplinary artist Kris Lemsalu transforms the upstairs galleries at Goldsmiths Centre for Contemporary Art into a supernatural realm, occupied with otherworldly, absurdist characters that guide you through stages of birth, life and death. Review by Julia Schouten

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The Hepworth Wakefield, Gallery Walk, Wakefield WF1 5AW

The Hepworth Prize for Sculpture

Installation shot of Michael Dean in The Hepworth Prize for Sculpture. 26 October 2018 - 20 January 2019.

Now in its second edition, the biannual £30,000 Hepworth Prize for Sculpture, presents us with five artists that serve to answer the question, ‘Where is contemporary sculpture headed?’ in one absolute way: everywhere and anywhere. With nothing off limits, everything and the kitchen sink can be found in this year’s shortlisted works, even some anticlimactic human hair … Review by Kit Edwards

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Nottingham Contemporary, Weekday Cross, Nottingham NG1 2GB

Still I Rise: Feminisms, Gender, Resistance

Installation view of Still I Rise: Feminisms, Gender, Resistance, Oct 2018 - Jan 2019, Nottingham Contemporary.

‘Still I Rise: Feminisms, Gender, Resistance’ is the first act of an exhibition showing a kind of history of resistance through the means of feminisms and intersectional queer thinking. The curators started to build the exhibition as an idea two years ago. Then, we didn’t have #metoo and #timesup, Trump wasn’t yet the POTUS, women’s marches weren’t so much in the news ... Review by Gulnaz Can

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