Musée d’Art Moderne de la Ville de Paris, 11 Avenue du Président Wilson, 75116 Paris
David Altmejd: Flux
Altmejd's sculptures and installations function like strata, assembling timeless sediments in a sudden, exhilarating, dreamlike explosion.
Musée d’Art Moderne de la Ville de Paris, 11 Avenue du Président Wilson, 75116 Paris
Altmejd's sculptures and installations function like strata, assembling timeless sediments in a sudden, exhilarating, dreamlike explosion.
Susan Hobbs Gallery,137 Tecumseth Street, Toronto M6J 2H2
Preuzmimo Benčić (Take Back Benčić) furthers Thauberger's previous investigations into social, political, and institutional power relations through documented acts of co-creative process. Review by Sam Ackerley
Museo MADRE, Via Luigi Settembrini, 79, 80139 Napoli, Italy
The first solo exhibition in an Italian public institution dedicated to one of the most influential artists of the Middle-Eastern art scene.
Von Lintel Gallery, 2685 South La Cienega Boulevard, Los Angeles, CA 90034, USA
Canan Tolon's paintings and drawings are exercises in perception, suspended between truth and illusion, stasis and flux.
Scottsdale Museum of Contemporary Art, 7374 East Second Street, Scottsdale, AZ 85251, USA
A major survey of a generation of artists working in the violent and uncertain decade following the 9/11 terrorist attacks, collecting and revealing previously unreported information.
North East Contemporary Visual Arts Network (CVAN)
Commissioned by the North East Contemporary Visual Arts Network (CVAN), this is one of eight films that will be exclusively launched on the site over the next eight weeks.
The NewBridge Project, 16 New Bridge Street West, Newcastle Upon Tyne, NE1 8AW, UK
‘37 Pieces of Flair’ engages a thoughtful and humorous reflection on our perceptions and misconceptions of the ‘ordinary’ and the effect this has on the wellbeing of our collective mental health. Review by Peter-Ashley Jackson
Kunsthalle Wien, Museumsplatz 1 1070 Vienna, Austria
Kidnappers Foil is both the title of an exhibition by artist Gareth Long and the title of more than 200 films by American filmmaker Melton Barker. From the mid-1930s into the early 1970s Barker ventured around the USA making the same film over and over. Most prints of these films no longer exist, but around fourteen have been preserved and Gareth Long will assemble and screen them for the first time since the films were made at Kunsthalle Wien.
Cole, 19 Goulston St London E1 7TP
breaking A skin, weaving A sense brings together a collection of new works which examine the psychological distinctions between body and space. Text by George Vasey.
Galerie Christian Lethert, Antwerpener Straße 4, D - 50672 Köln, Germany
Rotating lines and colour planes create dynamic visual energies within new work by Lutz Fritsch.
Casey Kaplan, 525 West 21st Street, New York, NY 10011
Geoffrey Farmer's signature paper cutouts and filmic montages are showcased in this new exhibition at Casey Kaplan.
Glasgow Women’s Library, 23 Landressy Street, Glasgow, G40 1BP
HOUSE WORK CASTLE MILK WOMAN HOUSE seeks to record the history of the 'Castlemilk Womanhouse' project in a way that resists reducing it to a one-dimensional, mythological ‘participatory’ piece, retaining feminist politics by writing narratives from the ground up. Review by Catherine Spencer
North East Contemporary Visual Arts Network (CVAN)
Commissioned by the North East Contemporary Visual Arts Network (CVAN), this is one of eight films that will be exclusively launched on the site over the next eight weeks.
SWG3 Gallery, 100 Eastvale Place, Glasgow G3 8QG
At SWG3 Dominic Samsworth presents a suite of works that addresses the inherent deception at play in the art making process.